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There is a myth floating about that singers are not
musicians. It is often true, however, that many singers come to music rather
late, when the beauty of their singing voice is “discovered”. As a result of this situation, many
singers have a narrower exposure to a variety of styles and composers, as
they focus on the music they will be asked to perform. This is especially
true now, as more elementary and high schools eliminate music from the
curriculum.
Recently, I asked two of my instrumental collaborative
partners to suggest non-vocal repertoire that would benefit singers from a
musical standpoint. Here is the list of their suggestions:
|
Composer
|
Composition
|
|
Bach
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Brandenburg Concerto #1
|
|
Bach
|
The Well Tempered Klavier
|
|
Bartok
|
Concerto for Orchestra
|
|
Bartok
|
Music for Strings, Percussion and Orchestra
|
|
Beethoven
|
4th Piano Concerto
|
|
Beethoven
|
7th Symphony
|
|
Beethoven
|
String Quartet opus 131
|
|
Brahms
|
4th Symphony
|
|
Brahms
|
Clarinet Quintet
|
|
Brahms
|
Horn Trio
|
|
Chopin
|
F minor Ballade
|
|
Copland
|
Rodeo
|
|
Debussy
|
3 Nocturnes for Orchestra
|
|
Debussy
|
La Mer
|
|
Debussy
|
Prelude to the Afternoon of a Faun
|
|
Dvoràk
|
Cello Concerto
|
|
Elgar
|
Cello Concerto
|
|
Gershwin
|
Rhapsody in Blue
|
|
Haydn
|
Trumpet Concerto
|
|
Ives
|
Three Places in New England
|
|
Liszt
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E flat Piano Concerto
|
|
Mahler
|
1st Symphony
|
Mozart
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Clarinet Concerto
|
|
Mozart
|
G Major Flute Concerto
|
|
Mozart
|
Symphony #40 in G minor
|
|
Prokofiev
|
3rd Piano Concerto
|
|
Prokofiev
|
Sonata in D major for Flute (or Violin)
|
|
Prokofiev
|
Romeo and Juliet
|
|
Ravel
|
Le Valse
|
|
Ravel
|
Left Hand Piano Concerto
|
|
Schubert
|
C major String Quintet
|
|
Schumann
|
Piano Concerto
|
|
Shostakovich
|
2nd Piano Concerto
|
|
Stravinsky
|
Petrouchka
|
|
Stravinsky
|
Rite of Spring (Le
Sacre de printemps)
|
|
Tchaikovsky
|
5th Symphony
|
|
Tchaikovsky
|
D minor Piano Trio
|
|
Tchaikovsky
|
Violin Concerto
|
|
|
|
(There is another
myth floating about that states audiences who attend instrumental concerts
have no interest in vocal music.
But that is another discussion!)
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|
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Maria Fattore,
M.M. has students working professionally in opera, music theater, cabaret and
the recording industry.
She is a member of The New York Singing Teachers' Association
(NYSTA),
serves on the Joy in Singing board of directors, and is program
director of SongSalon.
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